Lyric coloratura soprano Abigail Raiford has been praised in the Tulsa World for her “powerful, luxurious soprano voice, as well as her wonderfully comic way of weeping as the woebegone Elvira” in Tulsa Opera’s production of Rossini’s L’Italiana in Algeri. She makes her Carnegie Hall debut this spring as the soprano soloist in Taylor Scott Davis’ Magnificat with Manhattan Concert Productions, and returns to Teatro Nuovo to sing Lisa in Bellini’s La Sonnambula. Most recently, she was a National Finalist in the 2025 Metropolitan Opera Laffont Competition, won both 1st Place and Audience Favorite in the D’Angelo Young Artist Vocal Competition with Opera Tampa, received the Opera Index Award from the Opera Index Vocal Competition, and debuted with the Glacier Symphony Orchestra as the soprano soloist in Handel’s Messiah. In 2024, she received 1st Place in the Camille Coloratura Awards and the Charles Maggio Award as the 1st Runner Up of Shreveport Opera’s Mary Jacobs Smith Singer of the Year Competition, covered the role of Giulietta in Bellini’s I Capuleti e i Montecchi with Teatro Nuovo, and made her Lincoln Center debut as the soprano soloist in Fauré’s Requiem with Manhattan Concert Productions in David Geffen Hall.

Last season held many exciting opportunities for her, including 4th Place in the Metropolitan Opera Laffont Competition’s Midwest Regional, premiering a new English translation of Haydn’s Jupiter’s Journey to the Earth as Narcissa with the little OPERA theatre of ny, and singing the soprano solos in Mendelssohn’s Lobgesang with the York Symphony Orchestra. Earlier in the season, she made concert debuts as the soprano soloist in Orff’s Carmina Burana with the Emory University Symphony Orchestra & Choir and in Handel’s Messiah with the Handel Choir of Baltimore, and continued her work with Experiments in Opera for their program of five new one-act operas, Five Ways to Die.

Her training has taken her across the country and across the Atlantic.  During the 2022 season, she made a splash during her first season with Central City Opera as a Bonfils-Stanton Studio Artist.  In the same weekend, she learned and performed the role of Krysia in Heggie's Two Remain with mere hours of preparation, and then stepped in as Ida in Die Fledermaus the following day.  She was given the Central City Opera Guild's McGlone Award at the end of the summer. As a Resident and Apprentice Artist with Sarasota Opera, she has covered and performed multiple roles, including singing the role of Second Witch and taking the stage as Belinda for a family performance of Dido & Aeneas.  In 2021, she made her debut with St. Petersburg Opera Company, covering Despina in Così fan tutte and singing Olympia in Davies’ Pinocchio.  In Europe, she spent a summer studying in the heart of Vienna, and later traveled to Rome to work intensively with the incomparable soprano Mariella Devia.  She also participated in SongFest’s Professional Program, as a singer and as assistant stage director to faculty member, Amy Burton.

Among her accolades from competitions, she received an Encouragement Award from the Gerda Lissner International Vocal Competition, won 2nd Prize in the SAS Performing Arts Company Vocal Competition, named an Encouragement Award winner in the Student Division of the inaugural Camille Coloratura Awards, and won both the Mannes Concerto Competition and the University of Tulsa Concerto-Aria Competition.  In 2022, she was awarded the prestigious Career Performance Grant from Sigma Alpha Iota, 2023 saw her being named a Grant Winner by the Career Bridges Foundation, and in 2024, she was given a grant through the Anna Sosenko Assist Trust.

On the operatic stage, other highlights include the Queen of the Night (Die Zauberflöte), Despina (Così fan tutte), Rose Maurrant (Street Scene), First Lady (Die Zauberflöte), Anicasia (La Dolorosa), and Yum-Yum (The Mikado). Her vocalism has thrilled audiences on the concert stage as well, especially in Milhaud’s Chansons de Ronsard with the Mannes Orchestra, and John Mackey’s Songs From the End of the World with the University of Tulsa Wind Ensemble.

She completed her Master of Music in Vocal Performance at the Mannes School of Music as a student of Amy Burton, where she was presented with the George and Elizabeth Gregory Award for Excellence in Performing.  She received her Bachelor of Music in Vocal Performance from the University of Tulsa, under the tutelage of her mother, Judith Pannill Raiford.

Outside of her work as a soloist, she has enjoyed opportunities to perform in a variety of professional ensembles.  She recorded soundtracks for Ang Lee's Gemini Man and Olivia Wilde's Don't Worry Darling, performed with Musica Sacra and the New York Philharmonic for their concert of Close Encounters of the Third Kind in David Geffen Hall, joined Essential Voices for their performance in A Celebration of Women in the Arts at Alice Tully Hall, and took part in the China Now Music Festival, singing in the world premiere of Zhou Long's Mandarin oratorio Men of Iron and the Golden Spike.  She also sang the Knaben solo in the Bard Festival Chorale’s performance of Richard Strauss’ An den Baum Daphne at Carnegie Hall.  She currently maintains her position as the Soprano 1 section leader in the choir of The Church of the Holy Trinity on Manhattan's Upper East Side.

When she's not singing, she loves taking walks along the New York City waterfront, working on puzzles, and playing video games, with her favorite games coming from the Fire Emblem, Persona and Pokémon series.  Outside of classical music, she is continually inspired by the music of David Bowie, Tom Waits, the Dave Matthews Band, Ben Folds, and Rosalía.  She is a proud sister of Sigma Alpha Iota, and has been an active member of the New York Alumnae Chapter since 2018.  Her most recent international trip took her to Tokyo, which captured her heart with its natural and architectural beauty, culture and delicious food.

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